Monday, June 15, 2009

FInal Design- Model and Drawings



One of my favourite elements of this site is its long, narrow, linear nature. I therefore designed a space that embodied these elements through the use of long and narrow spaces. The long and narrow space of the apartment is mimicked in the space below in the courtyard and office area and the roof.





For my building I wanted to create a space that acted as a neutral background to the work whilst also complementing the works. The idea of extending the rectangular forms past the front of the building and into the street was to give an indication to the purpose of the building. It also wanted to interrupt the street line so people would be inclined to look at the building and then hopefully want to come in the building and buy art.





The materials intended for this building is rendered brick (painted white), polished concrete and metal paneling. This would act to create a contemporary building compared to the 1800's style of the other buildings in Newtown. This difference in facade compared to the surrounding buildings would hopefully entice people passing by to enter the building.





Light enters the building from the roof. Either side of a raised platforms is treated with glass allowing light to enter, this does not allow a direct light but a reflected and therefore diffused light.

By only using approximately half the length of the site i was able to create a storage area that was accessible from the lane way. This storage area connects to the workshop therefore allowing the owner to easily transport works from the storage to the workshop and then the floor.





By having the office at the entrance of the building, the owner is able to greet and watching people entering and exiting the building. Having the office on the ground level also is easily accessible for the occupants.

Whilst it is not ideal to have the kitchen off the ground level, it is on a split level (2m off the ground), adding to the aesthetics of the building. The kitchen acts as a transitional space between the public and private areas.

The apartment is a open plan living style. Only 2.5 m wide, this space embodies the long, linear nature of the building. The walls of this space transition from a solid wall to a curtain wall, allowing the occupants to view the sculptural courtyard, gallery space and the street. To the back of the site on the second floor is a private courtyard for the occupants of the apartment.





The gallery space is composed of three rooms create by the use of screens. The rooms all interlock with each other or are accessible from the central courtyard. Each space is composed of walls for hanging paints, but also with cases for prints. The first space is a medium size space, the second space is the largest of the three rooms and the last space is a smaller space. The gallery space if of double height but also of single height due to the apartment running across the top of these spaces.






The courtyard is long and linear. A curtain wall separates the courtyard from the internal spaces. The sculptural courtyard allows light to enter from above into the internal spaces. The courtyard connects directly to the workshop therefore allowing easy interchange between the storage area and the courtyard.





The use of the metallic surfaces and the red colour of the apartment was to create a lively building. The surface texture would play with light creating an interesting effect on the internal spaces. The surface textures would reflect the light because no light is directly pointed at the artworks.





Site Analysis





Perspectives




Room Detail (1:50 at A2)




Sections (1:100 at A2)




Ground and First Floor Plans (1:100 at A2)

Working model





Whilst sculpting a working model i realised that the suspended spaces and screens did not look as i hoped. After playing for a few hours with shapes and ideas I realised that instead of suspending the spaces, intersecting them into the wall created an interesting sculptural element to the model.

Initial Ideas





Inspired by Piano's work Zentrum Paul Klee, my initially idea was to form a space with a range of suspended boxes and screens. The light would enter the interior from the courtyard and the roof, the suspended boxes and screens would allow the light to move around, rather then confined rooms. The design would be an open plan in which the suspended screens could be moved or changed, to suit what needs to be displayed.

Influences

RENZO PIANO

Project: Menil Collection
Location: Houston, Texas, United States

The careful crafting of the fins that direct light into the gallery spaces allows the architecture to place the words of art in the forefront.





Project: Zentrum Paul Klee
Location: Bern, Switzerland

Building provides a carefully controlled low-light environment required for Klee's works, while also providing a bright, convivial space for the public.




Artist

BRUNO DUTOT

Bruno Dutot is a French born Australian painter. His fluent painting style is recognised by many sydneysiders .


Site Analysis

Newtown is a lively suburb of Sydney's inner city west. As most of the buildings of Newtown were built in the late 1800s there is a large use of terrace housing and therefore cheap construction. After The Depression the suburb of Newtown became increasingly run down, however due to its close proximity to the city and its relatively affordable housing Newtown has become an increasingly popular suburb.

King street acts as a thoroughfare for Newtown, providing a space for commercial and entertainment. Most of the colour of Newtown is provided through the creative graffiti and spray painting, showing that Newtown is a place that has a rich culture in art. Being a long commercial strip and a place with a rich understanding of art King Street Newtown is an ideal position for an art gallery/shop.

The site that i have chosen, Site 1, is a long narrow strip that currently functions as Franklins. It is an ideal position for a commercial building because it is wedged between a cinema complex, shops, church and carpark. This would lead to a heavy flow of people moving past the commercial front and hopefully a large movement into the gallery.

The buildings to either side of the site are of double height and sit within the style of Newtown. They correspond to the street in the same way, siting on the site line.


Site Plan

Tuesday, May 5, 2009

Ideas



This first design did not sufficiently incorporate the narrative


I wanted to use clay for my final model, but after doing some preliminary modelling, i decided it would not work if i was going to use a rigid form.